9.5 out of 10 – DJ MAG

Here’s a firing slice of carnivalesque bass music from the mighty Stantons, whose quality levels never seem to drop. Combining a classic ’70s sax sample with ultra-modern booming kicks and insouciant percussion pay-offs, this is a funky (in the original sense) little beast of a track, the second cousin once removed of Diemantle’s superb recent reworking of James Brown’s ‘Sex Machine’. One of those tunes to make other producers wish they’d thought of the same idea first. – DJ MAG